Guitarist Lucas Michailidis details his unique triadic approach to comping and improvisation. Included is a comprehensive guide to all triad inversions along with how these can be superimposed to generate a range of extended chords and alternative possibilities.
Doug de Vries gives a lesson on how to doubble your chord output when playing jazz on the guitar. Using the standard “All the things you are” he quickly demonstrates how to add interest and contrast to your accompaniment using this simple technique.
Leo gives a sax lesson on how to keep the various registers of the sax in tune. Using the interval of the 6th and some handy tips he picked up from studying J. S. Bach’s cello suites.
Click > HERE < to download a pdf of the lesson
Tim Nikolsky demonstrates how to do Walking Basslines on Guitar. Tim has been performing with the vocalist Margot Leighton for the past 13 years and has developed a unique style of playing in this musical duo incorporating the whole rhythm section on guitar. The technique of walking bass on guitar is also a great way to accompany other instrumentalists and soloists. Here he demonstrates the secrets of good accompanying on guitar; and breaks down his approach to walking basslines on guitar – step by step.
Anton Delecca explains the uses of chromatic scales in jazz improvisation and as a warm up excercise for sax. In this video, Anton describes three excersices for warm up that improve tone and dexterity and are very useful to enliven passages of improvisation.
Paul Williamson explains the uses of bebop scales in jazz improvisation. In this video, Paul’s first post for Digital Pill, he describes the construction of bebop scales, jazz articulation, the use of a metronome and how bebop scales place the chord tones firmly ON the beat to create an “inside” sound in improvisation. The video together with the pdf download explain the uses of bebop scales over major, dominant and minor scales.
October 29, 2012
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