In a world that goes from 0 to 60 in 2 seconds, Leo Dale joins forces with some of Australia’s finest musicians – Ray Pereira, Doug de Vries and Zvi Belling to sing about the pace of change. On a bed of Afro Brazilian rhythm.
Paul Williamson explains the uses of bebop scales in jazz improvisation. In this video, Paul’s first post for Digital Pill, he describes the construction of bebop scales, jazz articulation, the use of a metronome and how bebop scales place the chord tones firmly ON the beat to create an “inside” sound in improvisation. The video together with the pdf download explain the uses of bebop scales over major, dominant and minor scales.
Dave Evans explains the uses of the accordion bellows shake. In this video, Dave describes the uses of the double and triple bellows shake in jazz, zydeco and cabaret music. He includes detailed instructions about how to perform the shake as well as techniques for adding accents to play with the rhythmic aspects of accordion.
Listen to Dave’s music here
Dave playing with the Band Who Knew Too Much on myspace
Fran Swinn’s composition – Inform – for Jazz quartet and acrobat, featuring Eugene Ball – trumpet, Fran Swinn – guitar, Tamara Murphy – double bass, Ben Hendry – drums and Rockie Stone – acrobatics/aerials. Inform is a collection of short pieces written with the rhythm and form of the various circus apparatus in mind and performed with a focus on interaction and improvisation, thus creating an ensemble of five. This clip is of the final chair stack with drummer Ben Hendry assisting. Sound recording by Myles Mumford. Video by Leo Dale.
David Bridie sings The Centre Cannot Hold from the Fiasco album by My Friend the Chocolate Cake.
David says of this song -
From the W B yeats poem..”things fall apart, the centre cannot hold”..a war reflection..pretty simple tune, just blocked piano and droning strings … listened to Robert Wyatt’s “stalingrad” off “nothing can stop us” and then saw a doco set in Kabul in the winter time during the current war .. the parallel struck me…. there’s lighter songs on the album, this aint one of them:)
Doug DeVries shares some ideas on how to add harmonic and rhythmic variation to a piece of music. In this lesson he uses one of his own compositions – Astoria – as an example of voice leading in harmony as well as examples of how to increase interest by varying the rhythm.
Ray discusses using a combination of tone and slap sounds on the djembe to produce rolls of various lengths and their use in contemporary percussion soloing.
More information about Ray’s classes, projects and recording can be found at raypereira.com
April 11, 2012
0 Comments