Tag Archives: melbourne

Guitar: using triads (Lucas Michailidis)

March 20, 2011

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Guitarist Lucas Michailidis details his unique triadic approach to comping and improvisation. Included is a comprehensive guide to all triad inversions along with how these can be superimposed to generate a range of extended chords and alternative possibilities. Click > HERE < to download a pdf of the lesson Here’s some links to Lucas’ music [...]

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Clarinet: register jumping (Cam Robbins)

March 19, 2011

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Cam Robbins demonstrates a classic device for jazz improvisation on the clarinet, rhythmic register jumping. The video contains several examples and Cam demonstrates how to use the technique over one and two chord sequences. Here’s some links to Cam’s music Cam playing with Skazz and also this is a link to all his music on [...]

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Sax: chromatic warmup (Anton Delecca)

March 18, 2011

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Anton Delecca explains the uses of chromatic scales in jazz improvisation and as a warm up excercise for sax. In this video, Anton describes three excersices for warm up that improve tone and dexterity and are very useful to enliven passages of improvisation. This video works together with a pdf of the lesson available here [...]

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Sax: stratospheric sax gliss (Dean Hilson)

March 17, 2011

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Dean explains how to slide effortlessly into the altissimo register of the sax in one long continuously ascending note. Click > HERE < to download a pdf of the lesson Listen to Dean’s music here The Pearly Shells Zydeco Jump The Vanguards

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Sax: bebop scales (Paul Williamson)

March 16, 2011

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Paul Williamson explains the uses of bebop scales in jazz improvisation. In this video, Paul’s first post for Digital Pill, he describes the construction of bebop scales, jazz articulation, the use of a metronome and how bebop scales place the chord tones firmly ON the beat to create an “inside” sound in improvisation. The video [...]

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Guitar: voice leading (Doug DeVries) pt 1

March 15, 2011

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Doug DeVries shares some ideas on how to add harmonic and rhythmic variation to a piece of music. In this lesson he uses one of his own compositions – Astoria – as an example of voice leading in harmony as well as examples of how to increase interest by varying the rhythm. Visit Doug on [...]

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Percussion: soloing (Ray Pereira)

March 15, 2011

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Ray discusses using a combination of tone and slap sounds on the djembe to produce rolls of various lengths and their use in contemporary percussion soloing. More information about Ray’s classes, projects and recording can be found at raypereira.com

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Guitar: rhythmic variation (Doug DeVries) pt 2

March 14, 2011

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In part 2 of a series Doug DeVries shares some ideas on how to add rhythmic variation to a piece of music. In this lesson he demonstrates how to increase interest by varying the rhythm. Visit Doug on these links His website dougdevries.com Doug’s albums on iTunes

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Sax: tuning the registers (Leo Dale)

March 14, 2011

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Leo gives a sax lesson on how to keep the various registers of the sax in tune. Using the interval of the 6th and some handy tips he picked up from studying J. S. Bach’s cello suites. Click > HERE < to download a pdf of the lesson Listen to Leo’s music here Leo’s website [...]

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