Digital Pill – working musicians talk about their lives

Helen Mountfort performs Soliloquy a solo ‘cello piece originally written and performed in Swift, a dance piece devised and performed with dancer Ros Warby and designer Margie Medlin. Soliloquy is inspired by and pays homage to the music of extraordinary Armenian composer and duduk player Djivan Gasparyan. Helen writes music for film, dance and theatre and composes and performs with three Melbourne bands.

Visit Helen’s bands
My Friend the Chocolate Cake
Fine Blue Thread
Cosmo Cosmolino

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One of the first videos to go up on Digital Pill just passed the 50,000 hit mark. If you are a sax player go and check it out and see what the fuss is about. Dean Hilson’s stratospheric sax gliss

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Anita Hustas performs and talks briefly about two graphic scores ‘Stream’ and ‘Underwater’ from her ‘Water’ collection composed in 2008. In trying to find creative approaches to composing and making music, and integrating visual art and music performance, Anita has been creating graphic scores for improvisors since 2003. In this video Anita plays Double Bass and Waterphone.

Find out more about Anita’s work here
anitahustas.com
myspace.com/anitahustas

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Tony Hicks demonstrates the 24 note scale within one octave and plays a free improvisation demonstrating the use of this extended tonality.

Visit Tony on these links

His bio on the Australian Art Orchestra website

Tony’s albums on iTunes

Tony also appears on tenor sax in this Digital Pill post

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Percussionist Eugene Ughetti plays an improvised percussion solo on gongs and temple bowls

Visit Eugene’s projects on these links
Speak Percussion
Glass Percussion Project

Eugene’s CD is available here

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Rae Howell is a freelance composer and performer on piano & vibraphone. She is a founding member of Sunwrae Ensemble, showcasing some of Australia’s finest versatile musicians. Here she plays her piece “Decipher the Crooked Ways” on the vibraphone using a combination of bowing and four mallet technique. Decipher the Crooked Ways…. an ambient & (brief) solo version of a Sunwrae Ensemble work (usually ~30 minutes, for vibes, harp, clarinets/flutes, double bass, lap-steel, percussion), from the Never Stops to Wait album. It’s a journey about time, letting things go, deciphering the crooked ways of life, unraveling naturally.

Have a listen to Rae’s other truly incredible recordings from
Sunwrae Ensemble’s official website
Also
Sunwrae Ensemble on myspace
Sunwrae Ensemble on youtube

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