In a world that goes from 0 to 60 in 2 seconds, Leo Dale joins forces with some of Australia’s finest musicians – Ray Pereira, Doug de Vries and Zvi Belling to sing about the pace of change. On a bed of Afro Brazilian rhythm.
I’ve been busy working on this new show Heads in the Cloud for the last month. Its a little outside the Digital Pill box but I’ve posted it here for anyone who might be entertained by Episode 1. Now that we have it up and running I’ll have more time to devote to Digital Pill posts. Hope you have a look and enjoy it
David Bridie sings The Centre Cannot Hold from the Fiasco album by My Friend the Chocolate Cake.
David says of this song -
From the W B yeats poem..”things fall apart, the centre cannot hold”..a war reflection..pretty simple tune, just blocked piano and droning strings … listened to Robert Wyatt’s “stalingrad” off “nothing can stop us” and then saw a doco set in Kabul in the winter time during the current war .. the parallel struck me…. there’s lighter songs on the album, this aint one of them:)
Guitarist Lucas Michailidis details his unique triadic approach to comping and improvisation. Included is a comprehensive guide to all triad inversions along with how these can be superimposed to generate a range of extended chords and alternative possibilities.
Doug DeVries shares some ideas on how to add harmonic and rhythmic variation to a piece of music. In this lesson he uses one of his own compositions – Astoria – as an example of voice leading in harmony as well as examples of how to increase interest by varying the rhythm.
Ray discusses using a combination of tone and slap sounds on the djembe to produce rolls of various lengths and their use in contemporary percussion soloing.
More information about Ray’s classes, projects and recording can be found at raypereira.com
In part 2 of a series Doug DeVries shares some ideas on how to add rhythmic variation to a piece of music. In this lesson he demonstrates how to increase interest by varying the rhythm.
Leo gives a sax lesson on how to keep the various registers of the sax in tune. Using the interval of the 6th and some handy tips he picked up from studying J. S. Bach’s cello suites.
Click > HERE < to download a pdf of the lesson
April 11, 2012
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