Dean explains how to slide effortlessly into the altissimo register of the sax in one long continuously ascending note.
Click > HERE < to download a pdf of the lesson
Listen to Dean’s music here
Dean explains how to slide effortlessly into the altissimo register of the sax in one long continuously ascending note.
Click > HERE < to download a pdf of the lesson
Listen to Dean’s music here
June 28, 2011
Paul Williamson explains the uses of bebop scales in jazz improvisation. In this video, Paul’s first post for Digital Pill, he describes the construction of bebop scales, jazz articulation, the use of a metronome and how bebop scales place the chord tones firmly ON the beat to create an “inside” sound in improvisation. The video together with the pdf download explain the uses of bebop scales over major, dominant and minor scales.
Click the links below to download a pdf of each of the lessons
Lesson 1
Lesson 2
Lesson 3
Lesson 4
Lesson 5
Lesson 6
Listen to Paul’s music here
Paul playing with Way out West on myspace
Way Out West – Old Grooves for New Streets available from iTunes
and from CDbaby
And last but not least check out this footage of Paul I shot at the gig
June 27, 2011
Dave Evans explains the uses of the accordion bellows shake. In this video, Dave describes the uses of the double and triple bellows shake in jazz, zydeco and cabaret music. He includes detailed instructions about how to perform the shake as well as techniques for adding accents to play with the rhythmic aspects of accordion.
Listen to Dave’s music here
Dave playing with the Band Who Knew Too Much on myspace
The Band Who Knew Too Much CDs available here
March 18, 2011
Anton Delecca explains the uses of chromatic scales in jazz improvisation and as a warm up excercise for sax. In this video, Anton describes three excersices for warm up that improve tone and dexterity and are very useful to enliven passages of improvisation.
This video works together with a pdf of the lesson available here
Visit Anton website
March 15, 2011
Doug DeVries shares some ideas on how to add harmonic and rhythmic variation to a piece of music. In this lesson he uses one of his own compositions – Astoria – as an example of voice leading in harmony as well as examples of how to increase interest by varying the rhythm.
Visit Doug on these links
His website dougdevries.com
March 15, 2011
Ray discusses using a combination of tone and slap sounds on the djembe to produce rolls of various lengths and their use in contemporary percussion soloing.
More information about Ray’s classes, projects and recording can be found at raypereira.com
March 14, 2011
In part 2 of a series Doug DeVries shares some ideas on how to add rhythmic variation to a piece of music. In this lesson he demonstrates how to increase interest by varying the rhythm.
Visit Doug on these links
His website dougdevries.com
March 14, 2011
Leo gives a sax lesson on how to keep the various registers of the sax in tune. Using the interval of the 6th and some handy tips he picked up from studying J. S. Bach’s cello suites.
Click > HERE < to download a pdf of the lesson
And then there’s all the Oxo Cubans albums on iTunes
October 19, 2010
Dean looks at long notes from several different angles – the growl, vibrato, dynamics and ear training.
Listen to Dean’s music here
June 29, 2011
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