Digital Pill - working musicians talk about their lives » Lessons

Percussion: soloing (Ray Pereira)

Leo — Fri, 16 Jul 2010 23:17:37 +0000

Ray discusses using a combination of tone and slap sounds on the djembe to produce rolls of various lengths and their use in contemporary percussion soloing.

More information about Ray’s classes, projects and recording can be found at raypereira.com

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Sax: long notes (Dean Hilson)

Leo — Sat, 29 May 2010 09:04:28 +0000

Dean looks at long notes from several different angles – the growl, vibrato, dynamics and ear training.

Listen to Dean’s music here

The Pearly Shells

Zydeco Jump

The Vanguards

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Sax: chromatic warmup (Anton Delecca)

Leo — Wed, 31 Mar 2010 09:59:07 +0000

Anton Delecca explains the uses of chromatic scales in jazz improvisation and as a warm up excercise for sax. In this video, Anton describes three excersices for warm up that improve tone and dexterity and are very useful to enliven passages of improvisation.

This video works together with a pdf of the lesson available here

Visit Anton website

Anton’s album is available on iTunes

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Guitar: rhythmic variation (Doug DeVries) pt 2

Leo — Thu, 04 Feb 2010 10:51:57 +0000

In part 2 of a series Doug DeVries shares some ideas on how to add rhythmic variation to a piece of music. In this lesson he demonstrates how to increase interest by varying the rhythm.

Visit Doug on these links

His website dougdevries.com

Doug’s albums on iTunes

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Guitar: voice leading (Doug DeVries) pt 1

Leo — Mon, 18 Jan 2010 11:54:12 +0000

Doug DeVries shares some ideas on how to add harmonic and rhythmic variation to a piece of music. In this lesson he uses one of his own compositions – Astoria – as an example of voice leading in harmony as well as examples of how to increase interest by varying the rhythm.

Visit Doug on these links

His website dougdevries.com

Doug’s albums on iTunes

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Guitar: walking bass (Tim Nikolsky)

Leo — Fri, 18 Dec 2009 01:28:40 +0000

Tim Nikolsky demonstrates how to do Walking Basslines on Guitar. Tim has been performing with the vocalist Margot Leighton for the past 13 years and has developed a unique style of playing in this musical duo incorporating the whole rhythm section on guitar. The technique of walking bass on guitar is also a great way to accompany other instrumentalists and soloists. Here he demonstrates the secrets of good accompanying on guitar; and breaks down his approach to walking basslines on guitar – step by step.

Click HERE to download a pdf of the lesson

Visit Tim online here
whitewithtwo.com
australianjazzrealbook.com
youtube.com/timnikolsky

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Clarinet: register jumping (Cam Robbins)

Leo — Mon, 05 Oct 2009 10:08:40 +0000

Cam Robbins demonstrates a classic device for jazz improvisation on the clarinet, rhythmic register jumping. The video contains several examples and Cam demonstrates how to use the technique over one and two chord sequences.

Here’s some links to Cam’s music

Cam playing with Skazz

and also this is a link to all his music on iTunes

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Songwriting: lyrics and poetry (Joe Dolce)

Leo — Mon, 14 Sep 2009 01:00:10 +0000

Joe Dolce uses several examples to make the distinction between poetry and lyrics and demonstrates how this understanding is important for songwriting.

” One of the country’s premier songwriters.” RHYTHMS MAGAZINE

” . . . the Ohio-born Dolce is one hell of a bluesman. . . . [the] guitar work is deceptively complex, weaving in and out of lyrical matter that is often a ball of complexity itself . .” Mike Wafer, XPRESS MAGAZINE

Joe wrote, produced and performed, ‘SHADDAP YOU FACE,’ Number One Hit in 15 countries, which holds the ongoing record for the most successful single in Australian music history for over 29 years straight, (breaking Slim Dusty’s legendary 22 year longevity record for ‘The Pub With No Beer!) Over 40 international cover versions in 12 languages including an aboriginal dialect and Papua New Guinean ‘pidgin’.

Visit him online for info about his recordings, gigs and songwriting workshops
http://www.joedolce.net/

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Guitar: using triads (Lucas Michailidis)

Leo — Thu, 06 Aug 2009 06:14:19 +0000

Guitarist Lucas Michailidis details his unique triadic approach to comping and improvisation. Included is a comprehensive guide to all triad inversions along with how these can be superimposed to generate a range of extended chords and alternative possibilities.

Click > HERE < to download a pdf of the lesson

Here’s some links to Lucas’ music

His website

and also this is a link to all his music on iTunes

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Accordion: bellows shake (Dave Evans)

Leo — Fri, 03 Jul 2009 01:01:32 +0000

Dave Evans explains the uses of the accordion bellows shake. In this video, Dave describes the uses of the double and triple bellows shake in jazz, zydeco and cabaret music. He includes detailed instructions about how to perform the shake as well as techniques for adding accents to play with the rhythmic aspects of accordion.

Listen to Dave’s music here

Dave playing with the Band Who Knew Too Much on myspace

The Band Who Knew Too Much CDs available here

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